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Antonio Beneyto,
Còdols in New
York
Translated by Stacy McKenna in collaboration
with Carlota Caulfield.Published by Corner (an imprint of
InteliBooks).
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Softcover, perfect bound.
148 pages. Text in English and Spanish, with several b/w illustrations.
ISBN: 0-9711391-7-2
List price: $14.95
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About the Book
A flâneur is a a streetwise observer, a stroller,
someone who rambles through a city without apparent purpose but
feels tuned to the place and is constantly searching for adventure,
aesthetic and erotic. In Còdols in New York, the
Spanish writer Antonio Beneyto has created a protagonist, a persona
of Beneyto himself, with a perspective reminiscent of the fin-de-siècle
viewpoint of Baudelaire's French dandy and the obsessed Breton's
surrealist flâneur. A passionate observer, whose
immense pleasure is to take up residence in multiplicity, Beneyto's
flâneur feels at home in the crowd and finds himself
at the center of everything in the city. His flâneur,
like a rolling stone, enters into the multitude as into an immense
reservoir of electricity. New York suits him well. He immerses
himself in the waves of the New York's crowds, gathers impressions
and records in words and drawings his sightings and experiences.
Ordinary beings, urban sites and events rise to a myriad of versions
of the city. Beneyto takes pleasure everywhere.
Antonio Beneyto, who visited New York for long periods in
the1980s and the mid-1990s, wandered through the streets and
avenues, into parts of New York virtually unkown to visitors
and indeed to many newyorkers. We meet street vendors, hookers,
tourists, businessmen, musicians and all kind of peculiar characters,
including Woody Allen. All are subjected to the artist's scrutinity,
to his sharp pen. Beneyto visits cafés, night clubs, parks,
shoeshops, pubs, taverns, restaurants, museums, monuments, bookstores,
providing gossip and background to each site. But his Còdols
is much more than an amusing kaleidoscope of the New York scene
and the encounter with the unusual. His wild poetic vignettes
are testimonies of the inner human drama of the American society.
-Carlota Caulfield, editor of Corner
Beneyto's eyes are the eyes of an avant-garde artist, those of
a rebel, those of an heterodox, those of a minimalist. His eyes
focus on the smallest thing, weak and maltreated- without forgetting
his interest for what's artistic and astonishing, for the sensual
and the unexpected. A land halfway between Apollinaire and the
underground, between Ducasse and Vaché, between Ory and
Groucho Marx, the poet spreads his net towards the five senses
and towards what cannot be seen. How can it be explained, if
not, that passion for the non-verbal communication, gestures,
smells, that inundate his world?
I read with gusto this Còdols in New York.
I know that "còdols" in Catalan are rocks smoothed
by the river, rolling stones. Beneyto throws criticism and evokes
beauty. The stones sing through Beneyto's mouth.
-Jaime D. Parra, author of Variaciones sobre Juan Eduardo
Cirlot
About the Author
Antonio Beneyto's literary activity is diverse including many
genres like travel books, novels, short stories, anthologies
and essays. He lives in Barcelona, Spain
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